Creating a campus biodiversity recording app by Dr Alice Mauchline

By edwardwhite Comment Closed

IMG_2897 (2)There is an on-going multi-disciplinary, student-led project at the University of Reading to create an app for recording biodiversity sightings on the Whiteknights campus. This project was funded by the Teaching & Learning Development Fund and is currently engaging students, staff and external natural history groups alongside design and technology experts to create and customise an app for data collection on smartphones and other mobile devices in the field.

The biodiversity data records will be stored in a central database which students and staff can analyse to e.g. monitor long-term changes in the local environment. It is anticipated that this dataset will develop over time and that the app will be used to support curriculum teaching and other research projects at the University including those that are coordinated through the Whiteknights Biodiversity blog: http://blogs.reading.ac.uk/whiteknightsbiodiversity/.

One of the main aims of this project is to ‘engage students in research and enquiry in the curriculum’ which is one of the University’s T&L key strategic priorities. The multi-disciplinary team of students will have first-hand experience of developing a data collection tool that can be used for research projects in the curriculum across several Schools. The future availability of this app has already prompted both staff and students to think of ways that it could be used in teaching and research and it is hoped that it will help to ‘evolve our approaches to teaching and learning’ – a second T&L priority – and to support Technology-Enhanced Learning in fieldwork.

The team comprises six student champions: Liz White (Biological Sciences), Liam Basford (Typography & Graphic Communication), Mark Wells & Stephen Birch (Systems Engineering), Jonathan Tanner (Geography & Environmental Science) and Phillippa Oppenheimer (Agriculture). They are supported by a member of staff in each of these Schools; Alastair Culham, Alison Black, Karsten Lundqvist, Hazel McGoff & Alice Mauchline. The student champions are currently working together to gather information from staff in the relevant Schools about how this app could be useful in their teaching. They are also scoping other external projects and mobile recording apps to provide a basis for our design. The name, logo and branding of the project is also in development and the team held a recent Hack Day to decide on the basic functions for the user-centred app.

The team will soon have a prototype app for trialling and testing on campus and the student champions will be recruiting volunteers to help test the app for collecting biodiversity records. So keep an eye out for them and there will be further updates on this blog as the project progresses.

Please get in touch if you would like further information as we’d like to involve as many people in this project as possible! a.l.mauchline@reading.ac.uk

What did I do wrong? Supporting independent learning practices to avoid plagiarism by Helen Hathaway

By edwardwhite Comment Closed

My paper on the project What did I do wrong? Supporting independent learning practices to avoid plagiarism was well received in Manchester last week at LILAC.

What is the project about?

It is one year project at the University of Reading involving collaboration between Library staff (including a Study Adviser); staff from the International Study and Language Centre and academic staff and students from a range of Schools across different faculties. It is funded by the University’s Teaching and Learning development fund.

It is not a “how to reference” or even a “how to avoid plagiarism” project but rather embedded within the wider context of the fundamental academic principles of independent critical thinking, supported by appropriate and properly cited evidence from evaluated sources which is especially crucial in avoiding unintentional plagiarism. Students need to understand where to find appropriate sources of information in their subject and how, when and why to use references to these in their academic work to enable them to develop their arguments and achieve the correct balance between evidence and interpretation. This goes beyond simply learning the mechanisms of setting out a bibliography or when to include a citation, though these are problems that will be addressed – how to cite unusual types of materials for example. While not implying that poor academic practice in this is a  problem that is confined to international students, experience suggests it is perhaps more acute in that area; while the toolkit will be useful to all the Schools we are particularly aware of the cultural difficulties international students may face academically.

The primary output will be a digital ‘toolkit’ of bite-sized resources for academic tutors to draw on which collates evaluated teaching and support resources with guidance for adapting them for subject teaching. The aim will be to maximise their effective use with students to develop their deep understanding of “why” they should develop particular practices or skills.

The funding has allowed the appointment of a project officer to conduct focus groups and extended interviews. Other members of the team have researched existing resources both within the University and beyond and are now working on the toolkit. We are not there yet…

And what is LILAC?

LILAC is the “Librarians’ Information Literacy Annual Conference” and is “aimed at librarians and information professionals who teach information literacy skills, are interested in digital literacies and want to improve the information seeking and evaluation skills of all our library users whoever they may be”. It is an excellent chance for professionals from across sectors and from many countries to get together to share good practice in learning and teaching and to look to the future.

My paper was part of the dissemination phase of the project and was taken in the “Collaboration and partnerships” strand. It resulted in interest in whether the toolkit  would be made available as an Open Educational Resource and of course some interesting discussion. Further dissemination will be across the sector via ALDinHE, BALEAP and hopefully JISC conferences/seminars.

The team is – myself, Clare Nukui (IFP), Kim Shahabudin (Study Adviser), Liz Wilding (ISLC) and Project Officer Rhi Smith.

Dr Kim Shahabudin also just presented this poster on the project at the ALDinHE conference in Plymouth
Dr Kim Shahabudin also just presented this poster on the project at the ALDinHE conference in Plymouth

‘What did I do wrong?’ Researching student referencing practices by Helen Hathaway, Clare Nukui, Dr Kim Shahabudin and Dr Liz Wilding

By edwardwhite Comment Closed

‘What did I do wrong?’ may be a sadly familiar phrase to tutors when notifying students of poor academic practice in their written work. It was chosen for the title of our collaborative TLDF-funded project because it captures the confusion and lack of understanding which is characteristic in student responses to plagiarism and poor academic practice accusations. Such accusations can destroy the confidence and downgrade the final result for otherwise intelligent, committed and hardworking students. Our project aims to uncover some of the reasons why student difficulties with referencing arise, and collate good practice teaching materials for use in subject teaching and for self-development throughout the University.

Difficulties with referencing and plagiarism are an area of concern for all HE institutions in the UK. Problems go beyond knowing how and when to write a citation. Both tutors and students regularly report a failure to understand the purpose of referencing to support a critical discussion. This inability to apply principles of rigorous independent learning goes to the heart of poor academic writing.

There have been increasing efforts on the part of academic departments and central services to provide solutions to this problem through guides, taught sessions, exercises and digital tools like Turnitin. We are all far too busy to keep re-inventing the wheel! So the primary aim of the project is to collate best practice examples of teaching materials and make them available in a format which can be easily adapted for other departments.

We also hope to discover why it is that, even where there is plentiful, comprehensive and highlighted guidance, student difficulties persist. Why are students not using – or not understanding – the guidance available? How can we best persuade them to take referencing at university seriously? We plan to include suggestions with the ‘toolkit’ of teaching materials.

While we are limited by the scope of the current project to focusing close attention on a limited number of departments, we are also planning to briefly survey academics across the university on this topic. In the meantime, we would be very happy to receive any comments, experiences or examples of good practice. Please feel free to contact any member of the project team named above.

Digital Portal Creates New Dimensions for Art’s Studio Community by Christine Ellison

By edwardwhite Comment Closed

I am excited to announce the launch of OSCAR the Online Studio Community at Reading. This new digital platform has been developed to support the vast range of teaching and learning activities that happen across studio modules in Art, within the department itself but also off-campus and internationally.

While the studio remains an important environment for students of Art it is no longer the sole site of production. The OSCAR initiative has emerged in response to the changing requirements of studio teaching and learning in a culture of nomadic, digital, and transcontinental art practices.

On receiving a TLDF grant last year to develop this project my main concern was to create a useful, dynamic site, and not merely another hoop to cajole staff and students through. Keen not to compete with or replicate the functionality of Blackboard, Flickr, Facebook, etc., the new site has been designed to connect and exploit these existing web platforms where we already had strong presence. As such, OSCAR has become a portal to the Art community at Reading: a collation to one site, of blogs, groups, feeds, and links, that map the extensive reach of the department’s studio activities.

One of the core objectives has been to make visible the multitude of student events, projects, and exhibitions that happen across our programmes at home and internationally. OSCAR’s large image galleries feed from our regularly updated image archive on Flickr. There are also blogs for our visiting artist lecture series, student-led gallery programme and off-site projects.

Crucially, it’s not all controlled by staff. Students can join groups and get involved by posting to discussions and blogs. As the site evolves we hope to further student involvement in the administration and management of the site. OSCAR’s 24-hour accessibility supports the varying timetables of our students, who may be studying on a joint honours degree, on a work placement, or on exchange abroad. It is also a platform for our research students who are based across the globe.

OSCAR collates the diverse and far-reaching aspects of our ambitious teaching and learning community in Art, supporting flexibility in a progressively mobile culture where the studio is continually re-imagined.

Meteorology and Film, Theatre & Television unite for innovative teaching collaboration by Dr Simone Knox and Ross Reynolds

By edwardwhite Comment Closed

The 2011/12 academic year saw a teaching initiative that brought together two of the University’s distinguished departments, Meteorology and Film, Theatre & Television, using the excellent facilities in the Minghella Building. Second year undergraduates in Meteorology have for some time undertaken a module that partly involves ‘bench’ forecasting, when they learn, for example, how to predict, to a strict deadline, overnight minimum temperature and the risk of showers at Reading or another UK location. Ross Reynolds, who teaches the module, thought to utilise the arrival of colleagues on campus from Bulmershe to explore the possibility of students developing their work further by presenting an assessed, polished TV weather forecast. Dr Simone Knox was the television expert who enthusiastically became involved in what proved to be a very successful albeit nerve-wracking few sessions for the students.

After an introductory lecture on the cultural significance of TV weather forecasts in Britain, and with the able assistance of technician Dave Marron, cameras rolled for workshops, rehearsals and finally the telling, ‘live’ session. Students were guided in this truly experiential learning in sessions that drew on the principles for teaching critical practice that Film, Theatre & Television is renowned for. In front of the ‘green screen’ in the Minghella Film & Television Studio, the forecasters had to think carefully through both the meteorological content as well as their use of posture, voice, costume and physical use of space in order to address and effectively communicate with their audience.

This experience is an invaluable addition to presentation skills embedded in the undergraduate programmes in Meteorology. As transferable skills that generally enhance the students’ employability, they are in particular looked upon favourably by potential employers at the UK Met Office and private forecasting companies. Ross and Simone look forward to developing this teaching collaboration further in the coming academic year, when, thanks to a grant from the Teaching & Learning Development Fund, a new piece of equipment (a DVI input board) will further aid the professionalization of this learning experience in the multi-camera studio.

photos feature student Martin Oakes, photos taken by student Robbie McKane